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Midnight Glass Nature Windows 7 Theme: How to Install and Customize



This early example epitomizes Wright's ability to incorporate themes from nature and exemplifies his philosophy of "organic architecture" - the connecting of the natural world into his architecture as well as his decorative designs.




Midnight Glass Nature Windows 7 Theme



Ever since the release of Windows XP, windows customization and modding have experienced an ever-growing community of windows theme modders and skinners but unfortunately, the last two windows released (Windows 8-10) were not really modding friendly. luckily some software were developed to substitute windows theme modding and the best of them currently available and with the highest user base is Rainmeter.


If you love nature and all its beauties and at the same time are a fan of the sci-fi genre, then glass shards Rainmeter skin is the perfect suite for your desktop. Glass shards is a blend of various hi-tech fractured/cracked glass display in different landscape thus appealing to both minimal and extreme customizers alike. It is one of the most unique Rainmeter skins you will find online, it displays an array of functions such as audio visualization, weather forecast, system monitoring, the time and the date, battery usage, useful windows short cuts and many more. You will never have a boring desktop once you have it running and you will be surprised by how often you will keep staring at your desktop. Download below.


We most likely will all agree that minimalistic designs make our desktop look fresh and clean. Titillium is one of the most elegant minimalistic rainmeter skins we were able to lay our eyes upon, it matches well with a vast number of wallpapers than always matches well with the windows 10 theme style. Titilium rainmeter skin will display your system resources, current weather, some quick lunch shortcuts, the time and the date and it includes a rather simple yet impressive audio visualizer. click the download button below to get it.


If you are not into flashy desktops and prefer darker skins and themes, then consider installing midnight mount rainmeter skin. Midnight mount suite is an elegant blend between a futuristic rainmeter skin layout and lots of dark wallpapers you can find throughout the internet as can be seen on the preview above. Midnight mount comes with a horizontal gray bar that displays some utilities such as the time and date, a search bar, windows special folders shortcuts, an audio player, some famous quote lines and a weather skin. download it now from the link below.


One important aspect of windows vista and 7 was their glossy effect which was and is still one of the best windows visual style. You can now bring that back to your desktop using the glasses rainmeter skin. The glasses suite skins all have a transparent glossy background on which you will find widgets such as a clock skin, recycle bin, a weather skin, notes and feed reader, system and network monitoring a slide show viewer and much more. Glasses rainmeter skin is one of the classic and best rainmeter skins out there. Download it now from the link below.


In 'The Masque of the Red Death,' Prince Prospero and a group of noblemen hide in an abbey to try and escape a bloody and fatal plague sweeping the land. They cannot escape the Red Death, however, and when, at the stroke of midnight, a stranger intrudes on a masquerade they are holding inside the sealed abbey, Prospero confronts the stranger in a sinisterly dark and eerie room, only to die. The other nobles die too, immediately after unmasking the stranger and realizing that the stranger possesses no physical form and is, in fact, the Red Death itself. Poe drives home the theme of the inevitability of death through his use of:


Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany.


As a material stained glass is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design. The term stained glass is also applied to windows in enamelled glass in which the colours have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window.


Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the space for which it is made, must resist wind and rain, and also, especially in the larger windows, must support its own weight. Many large windows have withstood the test of time and remained substantially intact since the Late Middle Ages. In Western Europe, together with illuminated manuscripts, they constitute the major form of medieval pictorial art to have survived. In this context, the purpose of a stained glass window is not to allow those within a building to see the world outside or even primarily to admit light but rather to control it. For this reason stained glass windows have been described as "illuminated wall decorations".


Using a blow-pipe, a "gather" (glob) of molten glass is taken from the pot heating in the furnace. The gather is formed to the correct shape and a bubble of air blown into it. Using metal tools, molds of wood that have been soaking in water, and gravity, the gather is manipulated to form a long, cylindrical shape. As it cools, it is reheated so that the manipulation can continue. During the process, the bottom of the cylinder is removed. Once brought to the desired size it is left to cool. One side of the cylinder is opened. It is put into another oven to quickly heat and flatten it, and then placed in an annealer to cool at a controlled rate, making the material more stable. "Hand-blown" cylinder (also called muff glass) and crown glass were the types used in ancient stained-glass windows. Stained glass windows were normally in churches and chapels as well as many more well respected buildings.


This hand-blown glass is created by blowing a bubble of air into a gather of molten glass and then spinning it, either by hand or on a table that revolves rapidly like a potter's wheel. The centrifugal force causes the molten bubble to open up and flatten. It can then be cut into small sheets. Glass formed this way can be either coloured and used for stained-glass windows, or uncoloured as seen in small paned windows in 16th- and 17th-century houses. Concentric, curving waves are characteristic of the process. The centre of each piece of glass, known as the "bull's-eye", is subject to less acceleration during spinning, so it remains thicker than the rest of the sheet. It also has the pontil mark, a distinctive lump of glass left by the "pontil" rod, which holds the glass as it is spun out. This lumpy, refractive quality means the bulls-eyes are less transparent, but they have still been used for windows, both domestic and ecclesiastical. Crown glass is still made today, but not on a large scale.


A lightly coloured molten gather is dipped into a pot of molten red glass, which is then blown into a sheet of laminated glass using either the cylinder (muff) or the crown technique described above. Once this method was found for making red glass, other colours were made this way as well. A great advantage is that the double-layered glass can be engraved or abraded to reveal the clear or tinted glass below. The method allows rich detailing and patterns to be achieved without needing to add more lead-lines, giving artists greater freedom in their designs. A number of artists have embraced the possibilities flashed glass gives them. For instance, 16th-century heraldic windows relied heavily on a variety of flashed colours for their intricate crests and creatures. In the medieval period the glass was abraded; later, hydrofluoric acid was used to remove the flash in a chemical reaction (a very dangerous technique), and in the 19th century sandblasting started to be used for this purpose.


There are a number of glass factories, notably in Germany, the United States, England, France, Poland and Russia, which produce high-quality glass, both hand-blown (cylinder, muff, crown) and rolled (cathedral and opalescent). Modern stained-glass artists have a number of resources to use and the work of centuries of other artists from which to learn as they continue the tradition in new ways. In the late 19th and 20th centuries there have been many innovations in techniques and in the types of glass used. Many new types of glass have been developed for use in stained glass windows, in particular Tiffany glass and Dalle de verre. 2ff7e9595c


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