The film then shifts to a time where Tara meets an adult Ved while both are on a holiday in Corsica. After instantly connecting, they produce an amusing verbal pact to keep their real identities undisclosed, with hopes of not falling in love, as they explore the island together. One of their frequent jovial activities includes pretending to be movie characters where Ved often poses as "Don" and Tara, as "Mona Darling". As their bond grows stronger, Tara realizes she is falling in love with Ved and afterward, decides to leave Corsica despite their romantic friendship. The film moves back to another flashback where a young Ved is seen questioning the storyteller about the reason for happy times ending quickly, after noticing a sad part in all of his stories.
Andy Webster for The New York Times emphasized reviewing the characters and the direction. In his review, he mentioned, "Imtiaz Ali actually celebrates two love affairs: Ved and Tara's, and (given Ved's universal adulation) with his own self-aggrandizing vision of his calling."[70] In her review for Gulf News, Manjusha Radhakrishnan wrote, "The lead actors and Corsica look picture-perfect, but the movie isn't free of blemishes."[71] Sneha May Franics of Emirates 24/7 opined, "Imtiaz Ali's indulgent narrative isn't quintessential Bollywood, and that's not necessarily bad".[72] In a review for The Guardian, Mike McCahill wrote, "Imtiaz Ali's film is a surprising meta-narrative of archetypal star-crossed lovers, but its cool trickiness leaves little room for surrendering to the story."[73] Deepa Gauri of Khaleej Times awarded the film 4 out of 5 stars and wrote, "Tamasha is un-Bollywood in its rhythm and pace, yet endears you with its essential simplicity."[74] Lisa Tsering of The Hollywood Reporter stated, "The film is a moving meditation on what it means to find out who you really are."[75] In his review for The Express Tribune, Rafay Mahmood gave the film 2.5 stars out of 5, stating: "Great music, exceptional performances and a different take on love don't prevent Imtiaz Ali's Tamasha from culminating in a disappointment."[76] Jay Seaver of Online Film Critics Society noted, "So it's a little bit bigger than a romantic comedy, although still enough of one that the story of a guy finding what he wants to be doesn't overwhelm it. It's not a perfect film, but it's consistently a bit better than expected."[77] Giving the film 2.5 stars out of 5, Mohaiminul Islam's review in The Daily Star opined, "This is Ali's most complex story, teeming with ideas, and gives us Ranbir back again, along with the lovely Deepika, even if the plot keeps losing sight of her."[78]
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Although a good movie is necessary if you have fantastic cinematography and sound and some extras the movie can be average and still get great reviews for the experience.The movie monopoly has not invested in innovating the moviegoer experience , which is sad, by now we should have had much better 3d and a cinema should have wrap around screens that immerse everyone much more into the movie. Where is the interactivity , possibly voting on things happening in the movie, where is the moving seats or vibrating seats and smellovision and rain or smoke effects.
Also, the theaters earn zero money on those opening weekend tickets, at least in the US. The distributors sell the rights to exploit the movie, that is, earn money on sweets and sodas, but the whole ticket price goes to the studio. Then in the following weeks, the theater operators may keep a fraction of the ticket price that increases over time.
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